Author Archive for Tom Goskar

Historic Photos and Folksonomies

I’ve long been an advocate of folksonomies. It allows the wider community to add knowledge to resources through tags and comments, ultimately making things easier to find. A number of institutions have allowed free tagging of certain resources for a while now, such as the Powerhouse Museum in Sydney, the collective STEVE museum, and of course, Wessex Archaeology’s photos on Flickr.

It seems that this idea is slowly taking off. Flickr have just announcedThe Commons” project. Flickr’s blog post about this project is entitled “Many hands make light work“, which just about sums it up, really. I urge you to read it.

Flickr: The Commons (photo by George - www.flickr.com/photos/george/ )

The Library of Congress in the USA have teamed up with Flickr to put a selection (currently about 3,000 photos from their collection of 14+ million) online. If you have a free Flickr account, you will be able to tag these photos and comment on them. The images are also being geotagged by the LoC staff. The idea of a temporal map view comes to mind…

There are two main aims to The Commons project, starting with the pilot: firstly, to increase exposure to the amazing content currently held in the public collections of civic institutions around the world, and secondly, to facilitate the collection of general knowledge about these collections, with the hope that this information can feed back into the catalogues, making them richer and easier to search.

This could be amazing. I’ll re-quote this snippet from Flickr’s blog:

“..the hope that this information can feed back into the catalogues, making them richer and easier to search.”

This will ultimately benefit not just users of Flickr, but any user of the LoC catalogue. It won’t replace the knowledge of their expert cataloguers, but complement it. This is a great example of how this approach can work both ways to benefit everyone. Read the Library of Congress‘ take on the project.

After all, it’s everyone’s past, isn’t it?

Opening up a Roman Coffin

It’s not every day that you get a phone call from an excited colleague saying “we’ve found a Roman sarcophagus - can you grab your video camera and come out?”.

This short film (hosted by the fabulous Vimeo) shows just how exciting archaeology can be!


Opening a Roman Coffin from Wessex Archaeology on Vimeo.

There is a shortened (10 minute) version on YouTube for the masses. But Vimeo wins hands down for video quality.

For the more technically inclined reader, the film was made with a Sony DCR-TRV50E MiniDV camcorder without a tripod (the tripod head went walkies), and was edited in iMovie ‘08 on a Mac.

More information about the burial can be found at Wessex Archaeology.

A new window into our past?

Sorry about the cryptic title, but I’ve just stumbled upon a very interesting video by Johnny Lee demonstrating how a Nintendo Wii Remote (Wiimote) can be used to perform ‘head tracking’. It allows one person to use a screen as a ‘window’ onto a much larger image. If you get close to the screen you can see more of the image, for example. Think of looking out of a normal window, and you’re not far off what this can do. You can also look at 3D content, and look ‘behind’ objects.

Enough explaining; watch the video below, as Johnny explains all.

After watching this video all kinds of ideas popped into my head. In a museum context this could prove to be quite a compelling way of interpreting the past. Look out of a window into Victorian London, look at a reconstruction of a room and see behind objects… My brain hurts at how this kind of technology could be used.

Best of all, Johnny is giving away the software and tips on how to actually do this. Any adventurous folks out there with a Nintendo Wii fancy giving it a go?

A Virtual Stonehenge Landscape

Over the past few months I’ve been hard at work producing an animation of the Environment Agency LIDAR survey of the Stonehenge World Heritage site. The resulting video is currently playing on an HD plasma screen in the “Making History: Antiquaries In Britain, 1707–2007” exhibition at the Royal Academy in London.

Read more about the Stonehenge landscape animation over a the Wessex Archaeology Computing blog.


A Virtual Stonehenge Landscape from Wessex Archaeology on Vimeo.

For the more technical minded people, the underlying DEM (Digital Elevation Model) is 8000×8000 at a resolution of 1m. You can view the video in HD over at Vimeo.

British Museum domain name change

As reported on Portable Antiquities Scheme blog, the British Museum have changed their domain name from www.british-museum.ac.uk and www.thebritishmuseum.ac.uk to the shorter www.britishmuseum.org.

I have to say that I haven’t looked at their website for a long time, and it’s now very nicely designed.

Stonehenge trilithons are older than we thought

The trilithons at Stonehenge are now thought to be much older than we previously thought.The latest edition of the archaeology journal, Antiquity (Volume 81 No. 313 September 2007, link to summary) contains an article by Mike Parker Pearson et al entitled “The age of Stonehenge”. It is a summary of progress so far on the Stonehenge Riverside Project and the Beaker isotope project, and contains some interesting and important revelations about the Stonehenge and its landscape.

It is now thought that the trilithons were erected not circa 2300 BCE, but between 2600-2400 cal BCE, making them contemporary with Durrington Walls. They now predate the earliest Beaker burials in Britain, shaking our understanding of the late Neolithic and early Bronze Age.

Unfortunately, unless you have access to a library or institution that subscribes to Antiquity in hard copy, you’ll have to pay £15 to download a PDF of the article. I’m sure it won’t be long before some of the key points are available online, with a little bit of luck.

Another theory about how Stonehenge was built

BBC Homepage featuring StonehengeA colleague pointed me at the BBC homepage today, which was featuring a nice slideshow displaying images of Stonehenge. The photos linked through to a story entitled “Stonehenge building riddle tackled“.

It’s always fun to suggest how the great sarsen lintels might have been raised on top of the upright stones, and there have been some novel suggestions. Today’s idea comes from Bristol engineer Nick Weegenaar:

“The lintels were rolled in the wheel until they were above the uprights, and then lowered down.

“The wheel would have been on a track, with counterweights to act as ballast.”
Quoted from the story on the BBC website

Basically, the lintel is put into a huge wheel, which is on a track. As the wheel is rolled, the lintel is lifted up into the air and deposited neatly on top of the upright stones. The wheel passes between the uprights while it does this.

There is an animation at the foot of the BBC story, that shows how this might all work. The first thing that struck me about this idea, is that many of the trilithons don’t have a large enough gap between the uprights to allow a huge wheel to pass between. I’ll let this image illustrate my point:

Could this machine have really worked if it couldn’t fit between the uprights?
The image is a mix of one of my photos and the demonstration on the BBC website.

English Heritage’s Dave Batchelor, Head of Metric Survey, hit the nail on the head:

“This level of infrastructure is very likely to have left some traces and none have yet been found.”

He also queries whether the wheel was in use in Britain in 2300BC. I’d add that I’m not sure if railways, let alone wheels, were in use at the time…

..unless the Amesbury Archer was some kind of Isambard Kingdom Brunel

It is fascinating to speculate on how the lintels might have been raised (amongst other engineering that took place), and long may healthy speculation continue. However, we must consider how easy it is to impose modern thinking upon the past. The old “absence of evidence is not evidence of absence” adage aside, I don’t buy this new approach, novel as it is.

Weegenaar’s approach would only work on some of the trilithons, and there is no evidence for complex wheels at this point in the Bronze Age in Britain. It is easy to project our modern engineering knowledge of wheels and counterweights into the past.

But there is also no published archaeological evidence from the various excavations at Stonehenge in the last century that supports the use wooden ramps or tracks that I, nor others I have asked, can think of.

Another example of engineering ignores archaeology? Perhaps.

What’s wrong with shed loads of people, a lot of rope, big mounds of earth, and tree trunk rollers? :-)

Here’s to the next idea!

Heathrow T5 archaeology data released under Creative Commons

Last week, Framework Archaeology launched an update to their Archaeology at Heathrow T5 website. The update includes an improved version of their (Windows only) free GIS that allows you to explore the hard archaeological data collected during “Perry Oaks” phase of the investigations.

Crucially, the raw data behind the GIS has been released in a variety of useful formats. It is released under a Creative Commons license (Attribution-NonCommercial), so it’s free to use for whatever you like so long as you don’t make any money from it.

Formats include CSV, XML, SHP and GML. The photographs and scanned section drawings are also available to download.

Despite being announced on a few mailing lists, it appears to have slipped under the radar of most people. To release this much raw data about such an important and interesting archaeological site, under a flexible license that encourages reuse, is quite a milestone.

I’ll be interested to know if anyone does anything interesting with the data.

[Disclaimer - I'm connected with this project]

lamusediffuse - Libya and the social web

I was recently sent information about a project called “lamusediffuse“, an interesting project which aims to increase global awareness of Libyan museums and their collections via the web.

lamusediffuse proposes the use of Social Web tools for the inclusion of not-dominant cultural expressions in the scopes of culture diffusion on the Internet. Accordingly with this objective, the project “Museums in Libya” is focused on two starting facts, the first is the lack of information about Libyan museums available in the website of the International Council of African Museums (AFRICOM) and the second is the apparent lack of museum websites in this country.

Their approach seems pretty much spot on to me. Set up and carefully tend Flickr and del.icio.us accounts, blog (about the phenomenon of interacting with museums using the social web), have a wiki, publish presentations on Slideshare.

I hope that this approach works well for them - it will be an interesting experiment to see if they can lift their museums from relative obscurity. I’ll certainly try and keep up with their project - it’s exactly the kind of approach that I evangelise about.

Survey on the usage of Creative Commons by cultural heritage organisations

A survey is being carried out by the Eduserv Foundation into the use of more open licensing schemes such as Creative Commons by cultural heritage organisations.

Jordan Hatcher, formerly a Research Associate at the AHRC Research Centre for studies in Intellectual Property and Technology Law, is leading a study into how open content licences are currently being used by cultural organisations in the UK. The study began in June, 2007 and is being funded by the Eduserv Foundation. Ed Barker of Eduserv is assisting with the work.

In the survey, it is asked if people are interested in a ‘toolkit’ being produced next year to help people understand these ‘new’ ways of licensing cultural heritage information. This is something I would love to see, as an advocate of Creative Commons.

It’s a shared cultural heritage that we have, and come what may, it’s our duty to share the information we have about it.