A new home for the Museum of Computing

The UK’s Museum of Computing has secured new premises situated in Swindon’s town centre. Thanks to a 3 year lease donated by Swindon Borough Council, the museum is due to re-open in July.

Read more about the Museum of Computing reopening on Culture24 or their own press release for more background on the museum.

Friday 23rd May 2009 - We are delighted to announce that the Museum will be reopening in July 2009 in Swindon town centre. Our volunteers are now hard at working transforming what was previously retail units into one of the most exciting and original venues in Swindon. The museum will be located at 6-7 Theatre Square, an section of the town that has been designated a cultural area in Swindons regeneration plan. We are very grateful to Swindon Borough Council for making these premises available and to all the people who have worked so hard to make this happen.

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Exhibition reviews on Creative Spaces

I thought about using Past Thinking as the place for exhibition and book reviews on museumy subjects that interest me, but instead I would like to contribute to content creation on Creative Spaces (National Museums Online Learning Project) particularly when the reviews related to items in the nine museum collections it hosts.

I have recently contributed two reviews, and added them to two groups I run. The first is a short response to Shah ‘Abbas at the British Museum and the second is in response to Byzantium at the Royal Academy.

Read response to Shah Abbas in the Iran and Persian Culture group.

Read response to Byzantium in the Medieval and Byzantine Objects group.

Please note: For some reason my paragraphing is not preserved and so the Byzantium review might be a little hard-going. If you happen to read it and would prefer to read it in a more sensible format, please leave a comment here, or on Creative Spaces.

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Archaeopix: a Creative Commons archaeology photo search tool

Alun Salt and I have been working on a new website to help simplify the process of finding archaeology and heritage-related photos that have a Creative Commons license attached to them.

Without further ado, introducing… Archaeopix!

Archaeopix homepage

The homepage features a photo of the day, which we hope to update daily. Clicking “Search” on the navigation bar takes you to the tool where you can look for CC licensed images which have been posted to a hand-picked series of groups and accounts on Flickr:

Archaeopix search results

This is what Alun has to say about the search tool:

The clever bit is the search page.

Searching Flickr can be hit ‘n’ miss. Generally if you want to use a photo for a blog or educational handout and you need it quickly, it needs to be licensed under a creative commons licence. You can search on Flickr for cc-licensed photos, but a search for “Rome” will bring up everything with Rome in it. Groups are handy because they’re themed. So you could search the Archaeology group for Rome. The problem then is that you’ll find a lot of ©opyright photos. You really need a group which is all cc-licensed. Chiron is a good example of that. However Chiron’s strength is that it focuses on the classical world, which means you won’t find prehistoric Europe in it, or anything Mayan. This is where Archaeopix search comes in.

Head over to Alun’s Archaeoastronomy blog to read more about Archaeopix.

Link: Archaeopix

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I like Creative Spaces

Creative Spaces does. No poking, no sheep throwing, no nonsense.

The two posts below and the several comments are enough to set out the different views of Creative Spaces, or the National Museums Online Learning Project. I am not going to respond to the various criticisms leveled at the project as they do a good job of speaking for themselves. This is about my experience so far, over the last two weeks or so of actually using the site. Many of the buggy features have already been pointed out by Tom and by and large I agree with those (strange URLs and registering procedure, the lack of a big fat button to JOIN and the lack of an advanced search are probably my immediate problems).
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Digital Britain and Collections

What role has Culture (capital C) in Digital Britain? And within Culture, what do digitised collections and content mean to the nation? Perhaps more importantly for the sectors involved in cultural provision (such as museums), can digital collections take part in the Digital Economy in a meaningful way? In January 2009, the UK Government produced an interim report setting out a kind of manifesto for placing UK Plc at the forefront of the “global digital economy.”

I would like to see the relationship develop more as that between supporter/donor and custodian, rather than just producer and consumer.

In response, Collections Trust made an interim response. And here is a summary my response to the interim response. I attempted to take the long view, looking back at my own experiences with digitised collections and other content. My full reply and Nick Poole’s (CEO Collections Trust) response can be read in the list archives of jiscmail’s Museum Computer Group list.
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Creative Spaces - some more thoughts

It’s been an interesting day so far on the Museums Computer Group email list. The debate on Creative Spaces has been fast-paced with passion, criticism and defence. I won’t reiterate exactly what has been said, as you could catch up on the threads in the list archive, but I have had some more thoughts that I wish to share.

Despite the criticism from some of the more vocal members of the museum technology community, I stand by my previous post in that I can’t help but like the idea of the Creative Spaces project.

Why will people like it?

I think people (i.e. ‘normal’ users, not museums professionals per se) will like it because:

  • It encourages users to interact with the museum spaces and objects within
  • It fosters a sense of connection with the museum, which, in my unscientific experience, people like
  • It is an online space endorsed by the museums and galleries themselves, so it’s ’safe’
  • You are free to do what you like on the site - sign up to groups, create notebooks about things you find interesting, comment on other notebooks and items within, etc.

It will, of course, only ‘work’ if a genuine community builds up around and within the website. Getting people to use it shouldn’t be a problem. I don’t know the exact visitor numbers for the nine museums involved with the pilot, but it’s certainly in the millions. Something as simplistic as a sign reading “Interact with this museum online. Share your experiences on Creative Spaces.”, displayed in prominent physical as well as virtual spaces ought to do the job. Maybe a place to have an experiment with QR codes too.

Homepage

Much of the criticism (e.g. Mike Ellis, New Curator) about Creative Spaces is that people have, when faced with the homepage for the first time, not known what to do, or how it will benefit them. This is generally true. It’s hard to design the perfect homepage (believe me, I know!), but I can suggest some improvements.

creative-spaces-welcome

Firstly, we need people to know immediately what the site is all about. Currently we have: “Connecting with your favourite Museums! Creative Spaces connects you with nine UK national museums and galleries allowing you to explore their collections, find like-minded people and create your own content.”

Maybe it could be ““Interact with museums and galleries. Upload your own experiences. Search the collections of 9 museums. Connect with like-minded people. Expand your visit online.” This explains why I might want to create an account and get involved - I don’t want to “create my own content”, I want to upload my stuff to share!

Those big buttons could do with a very short description (click to see a larger version):

Creative Spaces Buttons 

(as I write this, Frankie has written echoed some of my ideas, and had some great new ones)

Should Notebooks be called Notebooks? They’re more like your own collection. Whichever way it is done, I do think that it could be a tad clearer.

URLs

However, on the sign, you would have to display a URL. It would make sense to make this a single, memorable URL. I confess to being somewhat confused as to why there are so many URLs - one for each participating insitution:

British Museum http://bm.nmolp.org/creativespaces/
Imperial War Museum http://iwm.nmolp.org/creativespaces/
National Portrait Gallery http://npg.nmolp.org/creativespaces/
Natural History Museum http://nhm.nmolp.org/creativespaces/
Royal Armouries http://ram.nmolp.org/creativespaces/
Sir John Soane’s Museum http://sjs.nmolp.org/creativespaces/
TATE http://tate.nmolp.org/creativespaces/
The Wallace Collection http://twc.nmolp.org/creativespaces/
V&A Museum http://vna.nmolp.org/creativespaces/

 The only difference I can see when looking at these sites is the “Popular collection items” display. Perhaps a gateway page with a single URL would be an option, say at creativespaces.info (which is available, and easy to remember)? You could select which museum you wanted to see popular items from. There are many ways of doing this - I hope the stakeholders explore some of them.

Search

As I have mentioned elsewhere, I did find the search facility to be somewhat lacking. It’s great for casually browsing objects by keyword, but like many people, once you can see the power of a cross-collection search that previously (to the best of my knowledge) didn’t exist, I want more.

I found it very hard to locate objects that have an Iron Age date, for example. If I was to use this in an educational context I’d like to see a few more options in the search, such as provenance, period, and location.

In the search results, clicking “View larger image” opens a new browser window showing the result from the institution’s own website, which in turn often requires another click to view a larger version. If this could be integrated in a better way, that would be great (but it’s a start). Maybe using a “lightbox” style effect (using jQuery, for example) to float the detail page over Creative Spaces might make it seem slightly better integrated?

RSS

I’d like to see personalised RSS feeds for notebooks and groups. This would allow me, as a slightly more tech-savvy user, to display my Creative Spaces content elsewhere, such as here on Past Thinking, or even in Facebook.

Beta & User Help Forums

If the site is going to be in “beta”, it ought to be described somewhere on the site what this means in layman’s terms. Frankie Roberto suggested needs to be some kind of help forum (like GetSatisfaction). This should be separate from the “Groups” (as it wouldn’t be about museum/gallery content, but about the website itself), that is looked after by the Creative Spaces staff. They can listen to suggestions, and inform people of forthcoming changes. Communication needs to work both ways if there is a community involved.

Conclusion

Creative Spaces is in beta. Things will change as more people use the service, and those who designed it learn how it is used, and where its limitations lie. Any amount of user testing is no match for thousands of people trying to actually use it. It’s the approach Flickr took, and some radical changes have occurred there too over the years (for good or for bad - you can’t please everybody). They listened to their users.

With a better homepage, I think this could really work. Once that is improved, and people can see straight away why they would want to use Creative Spaces, it will gain more users, and begin the evolution of the beta site into a strong, vibrant community of, as the BBC put it “Museum lovers”.

Here’s to its success!

[Update] Mike Ellis’s post on his Electronic Museum blog has a really good conversation going on in the comments. It’s really worth heading over there to catch up on who’s saying what.

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Creative Spaces - Social Media and Museums

[Update] I’ve had some more thoughts on Creative Spaces. Feel free to follow this post with my first follow-up.

The National Museums Online Learning Project “Creative Spaces” is a social media project that links 9 major UK museums and galleries. Currently in beta, participating institutions include the Natural History Museum, The V&A, British Museum, Tate, National Portrait Gallery, Sir John Soane’s Museum, Royal Armouries, The Wallace Collection and the Imperial War Museum.

Explore the beta of  Creative Spaces.

creative-spaces

Creative Spaces encourages visitor interaction:

The site allows you to search all the collections at once, tag and store items in notebooks and groups, and upload your own images, videos and notes to share creative inspiration with others. This is a nonprofit, public sector project, and it’s the first time that national museums have collaborated in this way.

Visitors can create a Creative Spaces account and make “notebooks” of their favourite objects by browsing the federated collections of the nine museums, and clicking “Save to” next to the object description. I was able to, for example, create a Notebook which I called “Iron Age goodies” and quickly add a few objects to it. Objects can be tagged, which is nice. If you don’t want to add an item to a group, you can simply add it to your favourites, perhaps to add to a notebook later.

One of the nice things about Creative Spaces notebooks is the ability to add your own content. 

creative-spaces-notebook

This is the important bit for me. The ability to augment the museum-supplied content with my own photos, videos, links etc from my own visits is just lovely. A quick (but important) look in the site’s Terms & Conditions reveals that all copyright of contributed material remains with the creator, so no worries there. I will certainly contribute some of the photos and videos that I’ve taken, and I hope that many others do too. A nice touch is that your notebook page contains a social bookmarking widget allowing you or visitors to your notebook to easily add it to their bookmarking/social service of choice.

Groups allow people to join special interest groups which can be public, public but with a membership approval process, or private. Anyone can create a group. It will be interesting to see how these are used, but at the time of writing it seems as if every group wants me to request an invitation to join, regardless if membership is open or not. But still, this is a beta, so I’m sure it will take a while to iron those bugs out (as a web developer myself, I know how tricky this can be).

The site also contains videos produced by participating museums, so you can also see ‘official’ videos on different themes.

Creative Spaces has a huge amount of potential, and it’s one of the few recent developments in the heritage sector that genuinely excites me. It has potential to allow people to interact with museums in a central place, and share the experiences they had during their visit. The federated search opens up the collections, and can even help to plan a visit, or conduct research from a distance. The notebook functionality can even be used to add links if users prefer to post content to their own sites. It’s a really good idea.

Where could there be improvements? Having only used the site for a short while, here are a few suggestions:

  • Incorporate OpenID. I have so many accounts with websites, I don’t really want yet another username/password combination!
  • Create an advanced search form. Searching for Iron Age objects was hard.
  • Give me a nice URL for my page (http://bm.nmolp.org/creativespaces/?page=profile&uid=211). I’d like http://bm.nmolp.org/creativespaces/tomgoskar, for example.
  • Create a feed of status updates - it seems as if only the latest one is displayed.
  • Let us know if Museum staff will interact back with us. Or is the site going to be just for visitors to interact with each other? Will our content be accessioned back into the collections databases in any way?
  • Can I have an RSS feed for my notebook please :-)
  • It would be great to allow other users to add tags to my notebook entries.

I also think that it is a great idea to provide this kind of experience for many museums in one place. Too many duplicate sites will mean too much dilution. I hope that other museums can come on board and add their collections as funding permits.

All in all, it’s a great idea, well executed for a first version. It heralds a further change in the way that museums are perceived, opening them up, making them less stuffy, and allowing us mortals to engage and interact with their collections (and each other). All we need now is for the Creative Spaces website (when they are ready) to be widely publicised, as every social networking site needs an audience.

I for one will be participating. See you on there.

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Bringing President Lincoln “back to life”

Combining laser scans of casts of Lincoln’s ‘life mask’, with photogrammetric techniques, specialists in the USA have created a highly accurate-looking computer generated model of President Lincoln for a documentary entitled “Stealing Lincoln’s Body”. Using photographs, they have created highly detailed texture maps to make his face look as natural as possible.

The documentary explores plots by a Chicago gang to steal his body in 1876. The clip below gives you a taste of how they have achieved this ambitious project.

Read more on History’s (”History ™” is the new name for The History Channel…) Lincoln website.

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Festival of British Archaeology 2009

Formerly “National Archaeology Week”, the newly named “Festival of British Archaeology 2009″ will take place between Saturday 18th July and Sunday 2nd August at venues and sites across the UK.

The Festival of British Archaeology (formerly National Archaeology Week) is your unique chance to discover and explore the archaeological heritage of the United Kingdom. During this two-week archaeological extravaganza, which will run from Saturday 18th July to Sunday 2nd August, you can take part in excavation open days, hands-on activities, family fun days, guided tours, exhibitions, lectures, ancient art and craft workshops and much, much more.

The aim of this annual event is to encourage everyone, including young people and their families to visit sites of archaeological/historical interest or museums, heritage and resource centres, to see archaeology in action and to take part in activities on-site.

The Festival is a celebration of both British archaeology and of the presentation of archaeology from around the world in Britain. Events take place annually all over the UK.

The Festival of British Archaeology is the new name for National Archaeology Week (which has been taking place since 2005, as an expansion of National Archaeology Days, which were established in 1990). The Festival retains the general format of National Archaeology Week but gives everyone even more opportunity to participate in a wide range of archaeology related activities and events across the UK, by spreading the events over a fortnight.

More details can be found at the Festival of British Archaeology website.

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Lasers and Light


Lasers and Light from Wessex Archaeology on Vimeo.

This is an animation that I put together at Wessex Archaeology for the Society of AntiquariesMaking History exhibition at Salisbury and South Wiltshire Museum.

I posted some more information about the animation over at the Wessex Archaeology Computing Blog, so I won’t repeat myself here!

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